What makes “Silo” so fascinating is the shifting points of view, the intriguing characters on all sides of the moral compass, and the slow and intense build of the storyline.īased on the popular series of sci-fi books by Hugh Howey, brought to stunning visual television life by showrunner Graham Yost (“From Earth to the Moon,” “Justified”) and running for 10 gripping episodes on Apple TV+, this is a well-staged, claustrophobically effective Sci-Fi Noir story with a myriad of intriguing characters, some hauntingly effective twists and turns, and strong performances by the ensemble cast. The world of “Silo” is gritty and dark and violent, with the people struggling to grind it out every day while a largely unseen government keeps an eye on their every move. You know that’s not how it works with these dystopian series and films such as “The Last of Us” and “Station Eleven,” “Dune” and “Blade Runner” et al. In the post-apocalyptic world of “Silo,” the air is fresh and clean, the waters are clear and blue, the unpolluted sky stretches to the unblemished heavens, the government is benevolent and serving the interest of the people, and the citizens of the world wear brightly colored clothes as they embrace education and enlightenment and enjoy the fruits of a society that values work but puts the highest premium on family.Īh come on.
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